https://www.lindsayjones.com/who daily 1.0 2020-10-24 https://images.squarespace-cdn.com/content/v1/5f9136f784b8472c7f3d6fc0/1603523864315-BAV628KIB4ZXC3ETOS69/LJ+website+front+picture+v4.jpg Home https://www.lindsayjones.com/listen daily 0.75 2023-03-01 https://www.lindsayjones.com/theatre daily 0.75 2023-03-01 https://images.squarespace-cdn.com/content/v1/5f9136f784b8472c7f3d6fc0/1603848016478-M1SW9I10HSCSV7QU2VSU/Theatre+layout+5.jpg Theatre - THEATRE Lindsay has been nominated for the Tony Awards of Best Score and Best Sound Design of a Play. His Broadway credits include Slave Play, The Nap, Bronx Bombers and A Time To Kill. Lindsay’s off-Broadway work has been heard at Playwrights Horizons, The Public Theater, MCC, Primary Stages, and many others. International credits include works at Royal Shakespeare Festival (UK), Stratford Festival (Canada), and many others. Lindsay has created music and sound for over 700 productions in regional theatres across the US. His awards include seven Joseph Jefferson Awards and twenty-four nominations, two ASCAP Plus Awards, two Ovation Awards and three nominations, a Los Angeles Drama Critics Circle Award, a San Diego Theatre Critics Circle Award and two nominations, as well as multiple nominations for Drama Desk Awards, Helen Hayes Awards, Barrymore Awards, and many others. Lindsay frequently creates original music and sound design for new work as well as classics, has done almost the entire canon of William Shakespeare (only 1 play left!), and also has many years of experience creating sound design for musical theatre. https://www.lindsayjones.com/film daily 0.75 2023-03-01 https://images.squarespace-cdn.com/content/v1/5f9136f784b8472c7f3d6fc0/1603853615127-XO9YSFLUQNZZTZUZXKCY/Film+Layout+3.jpg Film - FILM In film, he has created original scores for over 35 projects, including HBO Films’ A Note Of Triumph: The Golden Age of Norman Corwin, which won the 2006 Academy Award for Best Documentary, Short Subject. His work encompasses features like The View From Tall, Ash, and The Brass Teapot; shorts such as The Follower, House Of Stairs, and Grace; and full-length documentaries such as Hearing Voices and Cleaveland. See Lindsay’s Music For Film Reel here! . . . https://www.lindsayjones.com/pagetv daily 0.75 2023-03-01 https://images.squarespace-cdn.com/content/v1/5f9136f784b8472c7f3d6fc0/1603857232512-7PRVQ77EC50OIHK86V5I/TV+page+layout+3.jpg TV - TV & COMMERCIALS In television and commercials, Lindsay created the score for Sony Pictures’ series Family Practice for Lifetime Television, as well as Brothers-In-Law for Frudy Television. Original music for commercials includes clients like Martha Stewart, Staples, Nike, Smarty Pants, and many others. See Lindsay’s Music For TV Reel here! . . . . https://www.lindsayjones.com/podcast daily 0.75 2023-03-01 https://images.squarespace-cdn.com/content/v1/5f9136f784b8472c7f3d6fc0/f169d412-bf9b-4b40-978f-66f17bf20fa0/Podcast+Layout+11.jpg Podcast - PODCASTS In podcasts, Lindsay is currently the in-house composer/sound designer for the Next Chapter Podcasts series Play On Shakespeare and the award-winning weekly podcast The Imagine Neighborhood, produced by the Committee For Children. Other podcast and audio drama work includes Marvel Wastelanders for Marvel, A Streetcar Named Desire (starring Audra McDonald) for Audible, Wormwood (featuring Kevin Kline) for Real Jetpacks Productions, Hamlet On The Radio for KPBS/The Old Globe, Twelfth Night and Measure For Measure for Chicago Shakespeare, Soundstage for Playwrights Horizons, and The Intersect for Micromass. . . . . . . https://www.lindsayjones.com/video-games daily 0.75 2020-10-30 https://images.squarespace-cdn.com/content/v1/5f9136f784b8472c7f3d6fc0/1603962048176-N8CXV25XZ6R9R03J4H6E/Video+Games+layout.jpg Video Games - VIDEO GAMES In video games, Lindsay created the original music and sound design for The Digits: Fraction Blast, available now on iOS and Android platforms. *Nominated "Best Educational Series" IAWTV* . . . . . . . . . . https://www.lindsayjones.com/teaching daily 0.75 2020-11-02 https://images.squarespace-cdn.com/content/v1/5f9136f784b8472c7f3d6fc0/1604294403004-0CA50HTCC0IUHS6ADHRU/Teaching+layout+4.jpg Teaching - TEACHING In education, Lindsay is currently an adjunct professor of sound design at University of North Carolina School Of The Arts. Other universities where he’s taught include Yale, Juilliard, Northwestern, Purdue, Depaul, NYU, UCLA, UCSD, UC Irvine, Rutgers, University of Illinois, and Chapman. https://www.lindsayjones.com/advocacy daily 0.75 2023-03-01 https://images.squarespace-cdn.com/content/v1/5f9136f784b8472c7f3d6fc0/1604344375590-8SCXC9QE60SM60D3YDBO/Advocacy+layout+V4.jpg Advocacy - ADVOCACY In advocacy, Lindsay is a founding member and the co-chair of the executive board of Theatrical Sound Designers and Composers Association (TSDCA), and co-founded The Collaborator Party with John Gromada. In 2018, Lindsay and John received a special citation from USITT for their work on behalf of the theatre community. He also co-founded and administrated NO MORE 10 Out Of 12s, a group dedicated to fostering more humane work environments in professional theatre as well as academic theatre institutions. . https://www.lindsayjones.com/awards daily 0.75 2020-11-02 https://images.squarespace-cdn.com/content/v1/5f9136f784b8472c7f3d6fc0/1604355971839-8YWMI77NQWHS7WA8BOCG/Awards+Layout+v3.jpg Awards - AWARDS Lindsay has been recognized with many awards and honors including: - 2 Tony Award Nominations - 7 Joseph Jefferson Awards and 24 nominations - 2 Ovation Awards and 3 nominations - LA Drama Critics Circle Award - 3 Drama Desk Award nominations - 3 Helen Hayes Award nominations - 2 Barrymore Award nominations - 3 NAACP Theatre Award nominations - Craig Noel Award and 2 nominations - 3 AUDELCO Award nominations - 2 ASCAP Plus Awards - Michael Merritt Emerging Designer Award - Inductee, Inaugural Class, RJ Reynolds Arts Hall Of Fame and many more. https://www.lindsayjones.com/resume daily 0.75 2023-03-01 https://www.lindsayjones.com/musicals daily 0.75 2023-03-01 https://images.squarespace-cdn.com/content/v1/5f9136f784b8472c7f3d6fc0/1604389239868-4KOLPY9R12J0764LBWCB/Musicals+layout+v3.jpg Musicals - MUSICALS Lindsay is currently writing the music and lyrics for Botanic Garden, a musical based on the play by Todd Logan. The show was workshopped in July 2020 at 16th St Theatre in Berwyn, IL, directed by Ann Filmer, and is currently seeking a venue for its world premiere. . . . . . . . https://www.lindsayjones.com/performer daily 0.75 2020-11-03 https://images.squarespace-cdn.com/content/v1/5f9136f784b8472c7f3d6fc0/1604390895459-2RQX2HWZUJ3UASJW0G9K/Lindsay+Jones+Son+House.jpeg Performer https://images.squarespace-cdn.com/content/v1/5f9136f784b8472c7f3d6fc0/1604391660823-4OZK1SNP8SEGUUUUTXH5/17264595_10158275518335527_3534422181939052607_n.jpg Performer https://www.lindsayjones.com/contact daily 0.75 2022-05-16 https://images.squarespace-cdn.com/content/v1/5f9136f784b8472c7f3d6fc0/1604392844174-63GQ48TCSG58ZKQHGORL/123795077_10159551723574063_6061621486155094828_o.jpg Contact - CONTACT https://www.lindsayjones.com/interviews daily 0.75 2023-03-01 https://www.lindsayjones.com/film-reel daily 0.75 2023-03-01 https://www.lindsayjones.com/press daily 0.75 2023-03-01 https://images.squarespace-cdn.com/content/v1/5f9136f784b8472c7f3d6fc0/1e8797a2-ed97-48fd-9690-27269a59a849/Press+Layout+v2.jpg Press - PRESS “Most dramatically, Lindsay Jones’s music and sound are all encompassing, and perfectly balanced with the actors on stage.” - A Seat on the Aisle “My favorite technical element was the original music and sound design of Lindsay Jones. The music between scenes is gorgeous. The passion in each note and ability to highlight the key emotion of the scene preceding it demanded I stay in the moment, even in the blackouts between scenes. This music would definitely score the independent film version of this play, without a doubt.” - DC Theatre Arts “Another offstage star of the show is Lindsay Jones, the production's sound designer. Using amplified typewriter noises, the blare of a siren and the weird, unearthly growlings of the strange animals that are supposed to be out there infiltrating the industrial compound, he amplifies and immeasurably adds to the enjoyment of the play.” - Chicago Tribune “The original music and sound by Lindsay Jones are another highlight and help to move and pace the show. Resembling not so much incidental music but Surround-a-sound that you hear at the Multiplex Movie Theater, the heavy drums and loud thunderous crowd noises get you right in the pit of the stomach. And it's a rush. This is not for the faint of heart because (as Christopher Guest says in "This is Spinal Tap") it's cranked up to "11". I simply wanted more of Mr. Jones's exciting, "take no prisoners" compositions.” - Aisle Say “Lindsay Jones’ sound design is nothing but superb. Every effect is placed perfectly and carefully making the experience that much more enjoyable. Not only is he responsible for Sound Design but he also wears the hats of Composer of original music and Musical Arranger taking the well-chosen songs and fitting them into the piece perfectly to help move the story along and give it depth. Major kudos to Jones for his impeccable work on this piece.” - Backstage Baltimore “Audible’s world-class production values also deliver a satisfying aural experience, with a superb soundscape by Lindsay Jones that evokes the sweaty, sexy, almost feral pace of life in the French Quarter of New Orleans. Jazz and zydeco fill the space between words, and an almost-constant soundtrack of street noise situates the listener squarely within the Kowalski flat, the title streetcar’s foreboding rumble always discernable in the distance. Jones also uses sound to delineate character in surprisingly clever ways.” - Exeunt NYC "There’s also a fifth character in the play, one that Albee never wrote, but whose presence enriches the others and remains with you long after you’ve exited the theater — the original score by Lindsay Jones. In a pivotal scene, Martha switches George’s classical record for jazz as she prepares to seduce Nick, and plays Jones’s Les Orages Arrivent, a noir composition reminiscent of Miles Davis and early Mark Isham. Paired with Martha’s swaying hips and some free-flowing bourbon, it is nothing less than a siren song, guaranteed to lead mortals to delicious doom." - Indulge Magazine “It seems that if Mr. Jones is part of a production team, one will always find something to enjoy in the theater." - Paul Kuritz